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If you’re thinking, “yeah, but what about…” chances are that I have it but never really connected with it beyond curiosity and minimal exploration. I have a TON of music/bass books and many of them I’ve found to be very good but these are my truly indispensable books. This book VERY much helped me get from a place of ‘kinda-getting it but more confused than anything’ to ‘OH!!! ok, I see now’.Īnother book that should be on the shelf of every jazz musician as well as anyone who is serious about learning. (you can just flip to the “diminished chord” chapter and read all about different ways to approach playing over a diminished chord, for example). Things are explained incredibly well and in straight forward language and there is more explanation than written examples so you can really just sit back on the couch and read through explanations of different topics. The wonderful thing about this book is that you can choose to read it from front to back, exploring the musical examples (although most are written in treble clef, as they are horn lines primarily) OR you can just use the table of contents and target certain topics. The absolute bible for jazz theory, in my estimation. I don’t necessarily push students towards it unless they are wanting to explore specific techniques that those guys use throughout. I had to include this because I had so much fun with it. Totally fun… I lost entire days at a time to this book.
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At one point, I had just about every tune down (this was also the point when I decided to figure out how to do Victor’s crazier thumb stuff in a finger-style because…. Man, did I geek out on this book when I first got my hot little hands on it! What fun music to learn on the bass and a great challenge in every way. This book will get your rhythm reading in shape!īecause of that, I not only recommend this book to my students interested in Latin bass playing but also assign it to my students who need to or want to get their sight-reading in shape! Steve Bailey & Victor Wooten: Bass Extremes It’s a GREAT resource for various Latin bass styles and feels as well as great reading practice (no tab… just actual notation). It comes with audio examples of every track and covers pretty much all of South America and Cuba stylistically. He’s also written to be what I consider one of the best books for reading, playing and feeling Latin bass lines. Oscar was one of my teachers back in Boston and a true giant of Latin bass (dude is bad!). Maybe a bit on the advanced side but something that you can back to for a lifetime.
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He’s a prince of a guy and one of the best living upright jazz bassists IMHO.
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I’ve been a fan of Marc’s playing since I was a little kid, watching him play with “Uncle Pete” in NY clubs. This was the book that really started to open up my mind to some of the more advanced concepts behind soloing on the bass. This is one of those books that should be in every bassist’s library. It not only tackles the fundamentals of improvisation and understanding how to navigate your instrument but it digs deep on building bass lines and has a ton of examples throughout. This book did for bass players what Jamey Aebersold’s books did for other instrumentalists.
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Chocked full of examples of how scales lay on the fretboard, how to apply that knowledge to come up with bass lines and solos, transcriptions of bass lines and solos… It’s got a little bit of everything and is written very clearly and concisely. This was one of the first books that I really got into when I started studying the bass in earnest. It is taught from the ground up, explaining things as I came to understand them and in a developmentally logical way (for me at least).
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The Improvisor’s Path is all about understanding chord construction, how to play through changes freely, understanding harmony and how to explore your voice on the instrument. Right Hand Drive very much focuses on my use of the thumb in my three-finger plucking technique, although it can be applied to any combination of plucking fingers, really. Here are the books that I often use with students, all of which I recommend because I found them so helpful in my own development! My Own Books: Q: What instructional books do you like to teach from? I’m also curious about which books you liked to learn from when coming up?Ī: A lot of the students that come to me specifically come to work on my method, so I’ll often use my own books, but I also recommend quite a few others, depending on what we are working on.